Participatory projects
  * #skyvtilbake
  Woven Network Nordics
    The Kintsugi Project
  Seven Artists – Seven Colours
    Edit Palestine
    100 Meters
    Ramallah Trondheim Series
    Apertura Namdalseid
    Bridging Zip-Code 65
    Three Ways of Framing
    My home
    These Were Not Chosen
    Things Tend To Be Different Than You Think
    Invisible Visible
    Women in Health- and Care Work
Photographic works
  Focen Faces
  Frontline Cleaning Workers
    East Jerusalem, Palestine
    Palestinian Gestures
    Away Game
    Truth On The Ground
    On/Off Stage
    Documenting While Caring
    Easter Parade Behind the Wall
    Occupied West Bank Scouts
    Migrant Women
    Icelandic Encounters
  Labour Day
  Reykjavik Riots
Artist's books



#skyvtilbake (2023)
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Workshops & Individual work & Exhibition & Text & Photography  

NORWAY: How to work with art around concepts such as truth and documentary in an age of alternative facts, misinformation and propaganda?

Through a series of meme workshops, text and photographs, several unpredictable, thought-provoking and hopeful statements about today's society and media landscape were revealed. The project reflected on democracy and the current political climate through individual work and participatory activities. In a time with rise of populist leaders with autocratic traits who build down systems through which they themselves come to power, and serious threats to democratic forms of government as a backdrop.

Bye-Tiller has followed the American democracy in recent years, particularly the use of propaganda and memes. How can memes be intertwined with documentary and activism in a mobilization of voices on a small scale?


Exhibition period April 27th - April 30th 2023.
Opening April 29th 1 PM

The project was a collaboration with Eidsvoll cultural school by Kristin Laberg.

Exhibition list (PDF)

Poster (PDF)

Poster II (PDF)

Venue: Wergelandshaugen kunstsenter, Eidsvollbakken 33, 2080 Eidsvoll, Norway  

Artist Residency from February until May 2023.


The project was funded from:   


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