Brynhild Bye-Tiller
Participatory work
    Keep on writing
    100 meters
    Ramallah Trondheim Series
    Apertura Namdalseid
    Bridging Zip-Code 65
    Three Ways of Framing
    My home
    These were not chosen
    Things tend to be different than you think
    Invisible Visible
    Women in Health- and Care Work
Documentary photography
  Seven Cleaning Workers
    East Jerusalem, Palestine
    Palestinian gestures
    Away game
    Truth on the ground
    On/Off stage
  *  Documenting while caring
    Easter parade behind the wall
    Occupied West Bank Scouts
    Immigrants and refugees to the Nordic countries
    Icelandic Encounters
  Labor Day
  Reykjavik riots
Portfolio photo (Opens in New Window)



Documenting while caring (2012-2013)
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How to use a personal and difficult experience in one's life to make a documentary? How to be a caregiver AND a photographer? How to capture and preserve the story of the battle against a brain tumor?

I was deeply involved in the last period of my mothers life as a caregiver and as a photographer. I did the same kind of work a few years earlier when my brother also died of cancer. Both stories raises life's big questions and is a personal work. I remember both my mum and my brother at their most beautiful when they fought for their lifes. When life was naked, when trifles was less important, when the days were full of emotions, pain and happy moments. Never before have I been so close to them. Many people say they want to remember my mum and my brother as they were. I wonder what that means. Which year do they mean? Why do some people refrain from looking at the pictures I've taken in this story. Pictures showing cancer treatment and doctor visits but also family dinners, meeting with friends and the last Christmas celebration. I used the camera as a way of dealing with the situation, a kind of therapeutic tool and a way to hold on to each memory. My mother wanted to see these pictures because she lost some of her short time memory and she wanted to remember the people who had visited her.


BOOK 289 pgs Standard landscape 10 x 8 in, 25 x 20 cm

on off stage bok on off stage bok on off stage bok  

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